SCAI THE BATHHOUSE | Artists | Artist List

1935: Born in Tokyo
1958: Graduate in Painting, Tokyo National University of Fine Arts and Music （BFA）
1962: Carried out Happenings on the Yamanote train line with Jiro Takamatsu
1963: Exhibit in the 15th Yomiuri Indépendent Exhibitions. Found Hi Red Center with Jiro Takamatsu and Genpei Akasegawa
1965: Started Collaborating with Budo dancers, Tatsumi Hijikata and Kazuo Ono
1968: Involved in the establishment of Bigakko Art School
1969: Opened “Nakanishi Atelier” at Bigakko Art School
1972: Workshop at same School with the theme “On the ‘shape of Painting’ through the Vessel of Sleep or Bridge”
1996-2003: Professor of Tokyo National University of Fine Arts and Music, Oil Painting course

1967: “Nakanishi Natsuyuki,” Minami Gallery（also ’73, ’76）, Tokyo （cat.）
1980: “Nakanishi Natsuyuki arc・ellipse,” Gatodo Gallery / Shigeru Yokota Gallery （‘81, ‘83, ‘90, ‘94, ‘97, ‘99）, Tokyo　（cat.）
1984: “Painiting of May,”　Nishimura Gallery （‘86, ‘88, ‘90, ‘92, ‘95）,Tokyo（cat.）
1985: “Natsuyuki Nakanishi, Painting 1980-85,” Kitakyushu Municipal Museum of Art, Kitakyusyu, Japan （cat.）
1987: “Natsuyuki Nakanishi,”The Seibu Museum of Art, the Museum of Modern Art / Seibu Takanawa, karuizawa （cat.）
1995: “Natsuyuki Nakanishi, Hopscotch at the Summit, Drawings 1969-1972,” Aichi Prefectural Museum Art, Nagoya, Japan （cat.）
“Touching Down on Land and Touching Down on Water,” The Museum of Modern Art, Kamakura, Japan （cat.）
1997: “Natsuyuki Nakanishi Toward Whiteness, Intensity, Presence,” The Museum of Contemporary Art, Tokyo （cat.）
2002: “Natsuyuki Nakanishi,” Aichi Prefectural Museum Art, Nagoya, Japan（cat.）
2003: “Two Places - From the Picture Field to the Picture Impulse,” The University Art Museum, Tokyo National University of Fine Arts and Music, Tokyo
2004: “Halation: the moon close behind, sounds ahead”, SCAI THE BATHHOUSE, Tokyo
Kawamura Memorial Museum of Art, Chiba

1961: “Adventure in Today's Art of Japan,” The National Museum of Art, Tokyo （cat.）
1965-1967: “The New Japanese Painting and Sculpture,” San Francisco Museum of Art/Denver　Art Museum, Denver / Krannert Art Museum, University of Illinois / Joslyn Art Museum, Omaha / Columbus Gallery of Fine Arts/The Museum of Modern Art, New York / Baltimore Museum of Art, Baltimore / Milwaukee Art Center, Wisconsin （cat.）
1974: “Japan: Traditional und Gebenwart,” Stadtische / Kunsthalle Dusseldorf
“Japan pa Louisiana,” / Louisiana Museum Humlebaek Denmark / Götvös Museum of Sweden （cat.）
1981: “The 1960s: A Decade of Change in Contemporary Japanese Art,” The National Museum of Modern Art, Tokyo （cat.）
1983: “Fünf zeitgenössische Künstler aus Japan,” Stadrische Kunsthalle, Dusseldorf, Germany （cat.）
1985: “Reconstructions: Avant-Guarde Art in Japan 1945-1965,” Museum of Modern Art, Oxford/Fruit Market, Edinburgh, UK （cat.）
1986: “Japon des avant-gardes 1910-1970,” Centre Georges Pompidou, Paris
1994-1995: “Japanese Art After 1945: Scream against the Sky, “ Yokohama Museum of Art, Yokohama Japan / Guggenheim Soho, New York （cat.）
2004: “Roppongi Crossing”, Mori Art Museum, Tokyo （cat.）

1997-98: Design the Opera stage for “Three Sisters,（Music: Peter Eötvös / Director: Ushio Amgatsu）, Opera, Lyon, France
1998: “Touching Down on Land and Touching Down on Water I, II, III, IV” VR Techno Center （Design:　Richard Rogers）, Gifu
2002: “Four Moons for Shiodome” Head office of Dentsu （Architectural Design: Jan Nouvel）, Tokyo