Last Update : September 16, 2010
Profile
- 1935
- Born in Tokyo
- 1958
- Graduate in Painting, Tokyo National University of Fine Arts and Music (BFA)
- 1962
- Carried out Happenings on the Yamanote line train with Jiro Takamatsu and Hiroshi Kawani
- 1963
- Exhibited in the 15th Yomiuri Indépendent Exhibition Formed Hi Red Center with Jiro Takamatsu and Genpei Akasegawa
- 1965
- Started collaborating with Butoh dancers, Tatsumi Hijikata and Kazuo Ono
- 1968
- Involved in the establishment of Bigakko Art School
- 1969
- Opened “Nakanishi Atelier” at Bigakko Art School
- 1972
- Workshop at Bigakko Art School with the theme "On the 'Shape of Painting' through the Vessel of Sleep or Bridge"
- 1996
- Professor of Tokyo National University of Fine Arts and Music, Oil Painting course (-2003)
- 2004
- Professor of Kurashiki University of Science and Arts (-2007)
Selected Solo Exhibitions
- 1967
- “Nakanishi Natsuyuki,” Minami Gallery (also ’73, ’76), Tokyo (cat.)
- 1980
- “Nakanishi Natsuyuki arc・ellipse,” Gatodo Gallery / Shigeru Yokota Gallery ( '81, '83, '90, '94, '97, '99), Tokyo (cat.)
- 1984
- “Painiting of May,” Nishimura Gallery ( '86, '88, '90, '92, '95),Tokyo (cat.)
- 1985
- “Natsuyuki Nakanishi, Painting 1980-85,” Kitakyushu Municipal Museum of Art, Kitakyusyu, Japan (cat.)
- 1989
- “Natsuyuki Nakanishi,”The Seibu Museum of Art, the Museum of Modern Art / Seibu Takanawa, karuizawa (cat.)
- 1995
- “Natsuyuki Nakanishi, Hopscotch at the Summit, Drawings 1969-1972,” Aichi Prefectural Museum Art, Nagoya, Japan (cat.)
“Touching Down on Land and Touching Down on Water,” The Museum of Modern Art, Kamakura, Japan (cat.)
- 1997
- “Natsuyuki Nakanishi Toward Whiteness, Intensity, Presence,” The Museum of Contemporary Art, Tokyo (cat.)
- 2002
- “Natsuyuki Nakanishi,” Aichi Prefectural Museum of Art / The Museum of Art, Ehime, Japan (cat.)
- 2003
- “Two Places - From the Picture Field to the Picture Impulse,” The University Art Museum, Tokyo National University of Fine Arts and Music, Tokyo
- 2004
- “Halation: the moon close behind, sounds ahead”, SCAI THE BATHHOUSE, Tokyo
"QUARTET - Touching Down on Land and Touching Down on Water X", Kawamura Memorial Museum of Art, Sakura
- 2007
- "Distant Canvas, Close Painting: An Experiment of Membrane Receiving Images through the "Expansion and Diffusion" of a Drawing," Kake Museum, Kurashiki
- 2008
- "New Works, Chain of Painting, Forest of Light," Shoto Museum of Art, Tokyo
- 2009
- "Behind, Circle", SCAI THE BATHHOUSE, Tokyo
Selected Group Exhibitions
- 1961
- “Adventure in Today's Art of Japan,” The National Museum of Art, Tokyo (cat.)
- 1965-67
- “The New Japanese Painting and Sculpture,” San Francisco Museum of Art/Denver Art Museum, Denver / Krannert Art Museum, University of Illinois / Joslyn Art Museum, Omaha / Columbus Gallery of Fine Arts/The Museum of Modern Art, New York / Baltimore Museum of Art, Baltimore / Milwaukee Art Center, Wisconsin (cat.)
- 1974
- “Japan: Traditional und Gebenwart,” Stadtische / Kunsthalle Dusseldorf
“Japan pa Louisiana,” Museum of Modern Art, Louisiana, Denmark / Goteborgs Konstmuseum, Goteborgs, Sweden / Henie Onstad Art Centre, HØvikodden, Norway (cat.)
- 1981
- “The 1960s: A Decade of Change in Contemporary Japanese Art”, The National Museum of Modern Art, Tokyo / The National Museum of Modern Art, Kyoto (cat.)
- 1983
- “Fünf zeitgenössische Künstler aus Japan,” Stadrische Kunsthalle, Dusseldorf, Germany (cat.)
- 1985
- “Reconstructions: Avant-Guarde Art in Japan 1945-1965,” Museum of Modern Art, Oxford/Fruit Market, Edinburgh, UK (cat.)
- 1986
- “Japon des avant-gardes 1910-1970,” Centre Georges Pompidou, Paris
- 1994-95
- “Japanese Art After 1945: Scream against the Sky“, Yokohama Museum of Art / Guggenheim Soho, New York / San Francisco Museum of Modern Art (cat.)
- 2004
- “Roppongi Crossing - New Visions in Contemporary Art in 2004”, Mori Art Museum, Tokyo (cat.)
- 2008
-
"Yokohama Triennale 2008 Time Crevassse," NYK Waterfront Warehouse (BankART Studio NYK), Kanagawa
"War & Art - Terror and Simulacrum of Beauty -," Galerie Aube, Kyoto University of Art and design, Kyoto
Selected Commissioned Works
- 1997-98
- Stage design for the opera "Three Sisters," (Music: Peter Eötvös / Director: Ushio Amagatsu), Opera, Lyon, France
- 1998
- “Touching Down on Land and Touching Down on Water I, II, III, IV” VR Techno Center (Design: Richard Rogers), Gifu
- 2002
- “Four Moons for Shiodome” Head office of Dentsu (Architectural Design: Jan Nouvel), Tokyo
- 2008
- Stage design for the opera "LADY SARASHINA," (Music: Peter Eötvös / Director: Ushio Amagatsu), Opera, Lyon, France